ART - PHOTOGRAPHY - books
mo·men·tum mōˈmen(t)om [noun] the strength or force that allows something to continue or grow stronger or faster as time passes.
Momentum ( founded 2017) is a Miami based photo gallery and bookstore dedicated to contemporary photography with a focus on international emerging and mid career photographers from around the globe.
With a growing list of international artists representing several continents, these artists embody a vast and varied range of contemporary styles of photography, engaging the genres of cinematic narrative, landscape, documentary, and portraiture while drawing from conceptual themes and abstraction. Their respective work explores contemporary expressions of photography as an artistic technique.
Momentum is a locally owned independent business.
The Gallery is a member of AIPAD (Association of International Photography Art Dealers)
"Whatever else a photograph may be about, it is always about time"- Richard Misrach
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NY TIMES ARTICLE
Momentum booth at the Photography show by AIPAD 23 - 27 April 2025ny times APR 20TH 2025
Mometum artist Vincent Founrnier's work at The Photography Show featured in the NY Times.
Imagine setting out for a springtime stroll. Not here on Earth but on some distant planet — call it Novathis-458b — orbiting a distant star. Even light-years from home, you recognize some familiar pleasures: The sun (albeit a different sun) is shining. The roses are in bloom. A breeze is blowing.
But these are no ordinary roses, and it is no everyday breeze. The wind clocks in at more than 15,000 miles per hour, and the flowers, Rosa aetherialis, have evolved to harness it. Their strong pink petals curl around a spiral interior that holds the plant’s reproductive organs. The spiral shape directs the supersonic wind through the center of the flower to flush out its pollen and carry it across the planet.
If roses had evolved in a place like Novathis-458b — an imaginary place, but one that bears certain similarities to real exoplanets — this is what they might look like, Vincent Fournier, a French artist and photographer, posits in his otherworldly project, Flora Incognita, which will be on display this week at the Association of International Photography Art Dealers show in New York.
Polaris-9b is part of a compact planetary system where gravitational interactions with a nearby star and a massive moon cause significant tidal effects. This atmospheric variability leads to changes in surface gravity on the planet, as well as intermittent and sometimes violent winds. In response to the variations in gravity and wind, Nerina vortix has a helical and flexible shape, allowing it to bend and straighten.
In this series of images, which are digital manipulations of real photographs, Mr. Fournier depicts how our flowers and plants might look had they evolved in the kinds of extreme conditions that exist in alien worlds.
The project, he explained, “reimagines our relationship with the living world by projecting an extraterrestrial version of our botanical heritage onto planets beyond our solar system.”
Scientists have not discovered definitive evidence of life beyond our own planet, but they have identified numerous exoplanets that might be capable of sustaining it. (Researchers recently announced that they had detected potential signs of life on a planet that orbits a star 120 light-years away.)
To make each image, Mr. Fournier began by taking photographs of real plants from multiple angles and then stitched those photos together into composite, three-dimensional images.He reviewed the scientific literature and consulted with scientists, including Jean-Sébastien Steyer at the French National Center for Scientific Research, to learn more about the conditions that might exist on exoplanets and how plants might evolve to cope with them.Then, he worked with digital designers, who used 3-D animation software to manipulate each image, imagining potential adaptations to some of these alien conditions.The results are simultaneously strange and familiar: an extra-fuzzy fern that is insulated from extreme temperatures and water loss. A subtly shimmering cactus that pulls heavy metals from the soil. A bristled orchid that captures minerals suspended in the air.
The images are not meant to be rigorous scientific predictions. “It’s really an artistic work,” Mr. Fournier said. “But it’s a collaboration with scientists, and it’s fed by science.”There are considerations that the images do not take into account. For instance, most potentially habitable exoplanets identified so far orbit stars that are much cooler and redder than our own.Our sun kicks out a lot of energy, far more than most of the stars around which we’ve found Earthlike planets,” said Christopher Duffy, a theoretical biophysicist who recently moved into astrobiology at Queen Mary University of London.That could make photosynthesis difficult, he said, and favor the evolution of algae over land-based plants, which tend to require a lot of energy.
Extraterrestrial plants might also come in radically different colors. “They’ll definitely be adapted to whatever light spectrum is there,” said Nancy Kiang, a biometeorologist at the NASA Goddard Institute for Space Studies. In some places, she said, they might even be black, “to make use of the visible light as much as possible.”
On Earth, flowers have also evolved alongside pollinators, which would not be a given on distant worlds.
Still, these scientists, who do spend their days making rigorous predictions about alien plant life, said that they were taken by the images and that there was a real role for imagination in this work.“Human creativity has allowed us to reach for the stars and find those exciting new worlds on our cosmic horizon, and imagination helps us envision what they could look like,” said Lisa Kaltenegger, the director of the Carl Sagan Institute at Cornell U
“The cool thing about thinking about other planets is that it makes us question: What are our assumptions about life here, and what are things we shouldn’t take for granted?” Dr. Kiang said.
Art, too, can make us look at things differently, she said. And Mr. Fournier’s photos had made her want to do just that. “I think they’re beautiful,” Dr. Kiang said. “They make me want to go look at plants around my neighborhood and figure out, why are they that way?”
Vincent Fournier’s images will be on view at The Photography Show presented by the Association of International Photography Art Dealers, April 23 through 27, at the Park Avenue Armory in New York.
Produced by Matt McCann and Antonio de Luca.
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AIPAD The Photography Show 2025
THE ARMORY NYC APRIL 24TH-27TH 2025 -
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PARIS PHOTO
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New Artist Lucas Lenci
Lucas LenciNEW MOMENTUM ARTIST
Lucas LenciLucas Lenci( Brazil ) With a degree in photography and industrial design, Lucas started his professional career as a photographer after working as an executive producer of commercial, editorial, and cultural projects.
He lived in New York for a period during which he worked as an art director. Upon his return to São Paulo, he opened his own studio e started to work directly with agencies and clients. Lucas´s own works are now part of important private and institutional collections. He participated in and passed the first selection process organized by the Photography Academy of São Paulo. Lucas has already published three internationally-recognized photobooks. The first, which is called Desaudio, was exhibited at the Tokyo PhotoBook Show in 2015 and the second, called Movimento Estático (Static Movement), was chosen to participate in the Saint Petersburg PhotoBook Show, as well as to compete in the German Design Awards in 2018. In the same year Lucas was a Hasselblad Master Finalist.Utopia series:
The concepts of speed and distance have been distorted by my generation. Inebriated by the internet, we have passionately embraced the dematerialization of practically everything: products, services, information, even photography. Now a photograph travels instantly, transformed into data and pixels, and crossing distances we could not have imagined in the past.
Exploring this premise and taking a deep dive into an affective geography, these are my reflections on the emotions that the places and spaces we live in awaken within us. The photographs presented on these pages depict locations that are intangible while they are simultaneously anchored in precise georeferencing coordinates, in an attempt to capture both physical and virtual distances. In this sense, they are images that seek to go beyond representations of real or fictional cities. I am especially interested in symbolic spaces, which highlight the importance of personal experiences, memories, history, and the mechanisms that reveal emotional ties between individuals and their environment.
Hopefully this series will not just witness this era of dematerialization, but also serve as a catalyst for new journeys.
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New Artist
Yvonne Venegas -
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ZONA MACO FOTO 2024
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Born in Wakkanai, Hokkaido in 1955. Driven by the question of what happiness means to us humans, Ohashi began visiting the Himalayas, Tibet, Pakistan and China’s Western Regions in 1984, and documented landscapes of local ethnic minorities over a period of twenty years. In 2008, Ohashi began photographing vending machines throughout Japan as a metaphor for the modern human condition.
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Figure # 61From the series Gravity, 2022Archival Pigment Print135 x 180 cmFramed with museum glass.Edition of 5 + 2 AP
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NEW ARTIST
Osamu YokonamiOsamu Yanomami (born 1967) Japan
Through rhythmic repetition and seriality, Osamu Yokonami explores identity and cultural homogeneity. His twin series, 1000 Children (2010-2013) and Assembly (on-going since 2010) explore conceptions of selfhood and the range of human emotions, suggesting a reflexive (and essential) congruence between individual expression and communal belonging. A related series, Assembly Snow (2015), is an extension of the original where the forces of nature and culture blur into abstraction. More recently, Osamu has undertaken a new project, after 1000 Children (2017-2018), locating girls from the initial series for side-by-side comparisons of them alongside their younger selves. Osamu Yokonami has had recent solo exhibitions in Japan and the United States, and participated in the Daegu Photo Biennial. His personal and commercial work is widely known in Japan, appearing regularly in numerous publications.
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Momentum is excited to annouce that Nick Meek's "Three Boarders" has been shortlisted by The Royal Academy of Arts for there summer prize.
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My Crazy Aunt 2019: Archival pigment print 49" x 35" Edition 1 of 3 +2AP
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